When I was 15, I went through my hardcore Doors’ days. Didn’t you? Although not their most commercial album, An American Prayer became my definition of poetry. I eagerly awaited my turn to read the dog-eared copy of No One Here Gets Out Alive, a Morrison biography, which was circulating through my town and I promised myself that one day I would pay my respects at Jim Morrison’s grave in Paris. Assuming, of course, that he didn’t return from wherever he had fled to escape the fame which had made his life unlivable in the U.S.,* before I got there.
While my son was committed to visiting Napoleon’s tomb while in Paris, a trip to the cimetiere du Pere-Lachaise was on my must do list. On Easter Sunday we took a long Metro ride to make our my pilgrimage. The cemetery is quite large, walled in and covering a hillside in northeastern Paris. Despite our map, we became a little disoriented and missed Morrison’s grave on our initial climb up the hill. Maybe it was the encounter with the fairly fresh grave of one of the victims of the January Je Suis Charlie attacks that caused our confusion. Regardless, we found ourselves in close proximity to Edith Piaf’s grave.
I talked to Liam about who she was and described her rendition of La Vie en Rose, explaining that her version was the definitive one of that classic French song. We paused, paid our respects and then headed down the hill to find Jim Morrison’s grave, inaccessible due to the metal barricades designed to discourage the enthusiastic and devout vandals who have persisted in leaving their mark on his tombstone for more than four decades. It was completely cool and satisfying nonetheless.
Later, we went to Montmartre to view the artists and their work, along with Sacre Coeur. As we walked, from a distance, I heard someone melodically whistling a tune – La Vie en Rose. Perfect.
*if you’re near my age you probably remember the theory that Jim would come back a decade after his “death.”