As an undergraduate, I fell in love with Ernest Hemingway. My major in English trumped my minor in Women’s Studies when it came to his mysogynistic ways. After reading a number of biographical works about him I forgave him. He was damaged goods.
His writing impressed me and I have repeatedly heard his voice in my head when I struggle to express myself. “All you have to do is write one true sentence,” he said. Seems simple enough in theory, right? In practice it can be more challenging than you’d expect, but it is a good place to start.
Last year, I reread A Moveable Feast for the first time in many years. I was so taken by his voice and the stories he told of his time in Paris, and other parts of Europe, during the years between the two wars. His love for life – his Hadley, his child, his adopted home, his friends and his writing, radiated from the pages.
There was something else present though, a current of sadness and dissatisfaction. All that he loved was not enough and he took risks and sought out new experiences and stimulations. He was not content.
In many ways Ernest and I are alike. He and I each needed to write. We both loved to be in Europe, to sit in a cafe with a bottle of wine and observe all around us. Perhaps if I had written a book such as A Moveable Feast during my marriage, I would have revealed a discontent similar to Ernest’s.
I picked up a new copy of my favorite Hemingway book the other afternoon from the store where he would go for a drink and a few francs when he was in need. The book of my life I’m writing right now has a much happier ending than Ernest ever could have imagined for himself.